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TuneInWhat happens when fantasy meets the First World War?
This month we read ‘The Warm Hands of Ghosts’ by Katherine Arden, a novel which follows Canadian nurse Laura Iven as she searches for her brother behind the lines in the militarised area known as the ‘Forbidden Zone’. The plot hinges around a mysterious character called Faland, who runs an elusive hotel with no set location that men find to drink and relax.
In the discussion we consider the fictional use of historical characters, whether the war began in 1917, and Chris’ new scale for measuring war-related novels.
References
Neil Gaiman, The Sandman (1989-present)
Alice Winn, In Memoriam (2023)
Robert Graves, Good-bye To All That (1929)
Mary Borden, The Forbidden Zone (1929)
L. M. Montgomery, Rilla of Ingleside (1921)
The Battle of the Somme (1916)
R. H. Mottram, The Spanish Farm Trilogy (1930)
Lesley Glaister, Blasted Things (2020)
Paul Fussell, The Great War and Modern Memory (1975)
Owen Davies, A Supernatural War (2018)
Lucifer (2016-2021)
Pierre Purseigle, Mobilisation, Sacrifice et Citoyenneté. Des communautés locales face à la guerre moderne. Angleterre – France, 1900-1918 (2013)
Women at War (2022)
Rachel Duffett, The Stomach for Fighting (2012)
Kate Macdonald, The first cyborg and First World War bodies as anti-war propaganda (2016)
Kim Newman, The Bloody Red Baron (1995)
Pat Kelleher, Black Hand Gang (2010)
